Combining some incredible word-play - the kind both rap luminaries are renowned for -with the hook from euro-pop one hit wonder Haddaway’s What is Love, this track has the winning formula and is set to see Eminem continue his recent run of success.

The video, which was filmed in downtown LA, was directed by Anthony Mandler and will premiere on Vevo on 2nd May.

‘Call My Name’ is taken from Cheryl’s third album ‘A Million Lights’ which is released on Jun 18th through Polydor Records. Cheryl recorded the album in London, New York and LA with collaborators including Alex Da Kid, will.i.am, Lana Del Rey, Jim Beanz and newcomers Pantha and HyGrade.

Gwen’s much anticipated sophomore album is The Sweet Escape and as she did on Love. Angel. Music. Baby., one of rock/pop’s most admired, and just straight-up cool singers, brings an unmistakable ability to cross-pollinate genres with effortless joy. Joining Gwen are fellow sonic adventurers, including The Neptunes, No Doubt’s Tony Kanal, Akon, Swizz Beats, Sean Garrett, and Keane’s Tim Rice-Oxley. If that line-up seems far-reaching, it’s deliberate. “All my inspirations were completely different on this record,” Gwen explains. “The last time, it was all about doing a dance record. It was all about ‘80s-inspired music, the music I danced to when I was growing up. But this time, I felt like I was in a whole different place. I have a lot more melodic songs. There are beats but it’s also more. The Sweet Escape is a perfect title because the music takes you away.”

Gwen’s “sugar-coated” direction is on display on The Sweet Escape’s first single “Wind It Up.” One of four tracks produced by The Neptunes (who also helmed “Hollaback Girl”), “Wind It Up” finds the unlikely meeting ground of hip-hop, a drum line and, inexplicably, “The Sound Of Music.”

The new single is the singer/performer/producer’s unique interpretation of Charles Wright & the Watts 103rd Street Rhythm Band’s song of the same name. Smoothly running his own original verses about individuality and creativity into a harder, beat-heavy chorus punctuated by clicking fingers and hand claps, Labrinth takes the soul classic and stamps it with his own distinctive identity.

Express Yourself is taken from Labrinth’s debut album, Electronic Earth which rocketed to #2 when it was released in April. The album includes the recent top five single Last Time and previous hits Let The Sunshine and Earthquake. He has now sold over 1 million singles in the UK and is now starting to make inroads around the world. Earthquake hit #2 in Australia and a remix featuring Busta Rhymes is now being played by radio stations in America.

“It’s a sweet joyful mélange of beat-driven future-pop,” says Jake Shears of ‘Magic Hour’. “It style-hops all over the place unabashedly.”

Magic Hour is the result of a series of team-ups between Scissor Sisters - Shears, Babydaddy, Ana Matronic, Del Marquis and Randy Real - and a whole host of stellar artists, writers and producers, including Azealia, Banks, Calvin Harris, Stuart Price, Pharrell Williams, Diplo and Alex Rihda, the German electronic music producer and DJ behind BoysNoize.

The single will be available to download on 18th March and in stores from 19th March and money raised from the single and Sport Relief will be spent helping some of the most vulnerable people in the UK and across the world’s poorest countries.

A beautifully constructed heart-felt ballad, Oritsé, Marvin, Aston and JB have lent their song-writing skills as well as their signature harmonious vocals to the track, working alongside pop-powerhouse song-writer Ali Tennant and songwriter / producer supremo; Cutfather.

Attentive students of the airwaves will already know Nerina’s name from her on-off flirtations with the charts over the past decade or more recently her songwriting credits for the likes of Miss Minogue. But that’s only part of the story – as her new album ‘The Year Of The Wolf’ resolutely displays.

Produced entirely with Britpop guitar legend Bernard Butler, ‘The Year Of The Wolf’ is, simply put, the accumulation of Nerina’s talents honed over the years. It runs the gamut of Nerina’s love of euphoric pop songs with big heart-bursting choruses like lead single Put Your Hands Up to sweeping, classical rhapsodies like History Boys - bridging the gap between pop and art that has often confounded her audience.

“The thing is, they’re all me equally,” says Nerina. “I don’t understand people who are snobby about pop – I know how hard it is to write a good pop song. Just listen to the backing vocals on any Abba record – they’re so intricate and amazing. That’s great pop.”

Typically for Nerina, the perky pop-rush of Put Your Hands Up contrasts with its lyrical inspiration. “I’d just read ‘Wide Sargasso Sea’ the prequel to Jane Eyre. It’s mental – all voodoo and obsessive love and I wanted to write a song about that. Because I hate all the Brontë and Jane Austen stuff – I wish women would stop reading that shit. Mr Darcy isn’t going to turn up on a fucking horse and save you.”

Working with Butler tore up the rulebook for Nerina, “I’d always admired Bernard. I loved ‘The Sound of McAlmont & Butler,’”says Nerina. “Before I started this album I really thought about what was missing from stuff I’ve done before. I’ve never paid enough attention to groove – I realised that during working on the Kylie album. And I was missing guitar. Bernard helped bring all that back.”

And how. Turn Me On Again zips along with heady va-va-voom (“People over-intellectualise pop sometimes – good pop should be three and half minutes about sex really” she succinctly states) while the autobiographical I Think deftly manages to combine military drums and schoolyard chants with a snappy chorus of ‘don’t give me your shit’, delivered with such charm that you can’t help fall under its spell.

Since the release of his critically-acclaimed debut This Is My Demo in 2006, the 29-year-old from North London has set the bar for clever and authentic hip-hop, going on to sell over 100,000 albums, release seven mixtapes and earn high praise by everyone from The Times and BBC to Akon, who went so far as to sign him to his label. In addition, he's performed and collaborated with an impressive list of artists including the Kaiser Chiefs, Lemar, Craig David, Chamillionaire, Ian Brown, Madness and Ali Campbell (UB40), while Lupe Fiasco gave him the honour of being the only guest to appear on his last album, Lasers. "I'm really fortunate to have a really great history in the world of music," says Sway. "But the goal for me is to make as many people listen to my music as possible."

The rock tinged, ‘80s sounding Super Cool, with its Stranglers overtones and staccato vocal is the kind of intelligent, sample free pop which defines The Bullitts. A sure-fire smash, the track was recently used by Ozwald Boateng to close London Fashion Week.

"That's the anthem for the civilian,” says Jeymes Samuel, the brainchild behind the group, “That's the anthem for the podgy nerds who aren’t in the gym; we're all cool, we're all superheroes. When Spiderman takes off the mask, he's Peter Parker.”

The album has become one of the most anticipated pop releases of the year following the lead single, ‘Beat Of My Drum.’ Teaming up with a stellar list of producers and co-writing all the songs [apart from one cover] Nicola has spent the past 18 months working on the 12 track album. Collaborators include Dimitri Tikovoi, Diplo, Metronomy, Dragonette and Invisible Men. As fresh as anything you’ll hear this year the album is a riot of colossal pop melodies, underground sounds, singing, rapping and astonishing honesty.

There’s ‘Yo-Yo’, which marries classic pop lyrics (“don’t want to be the last to know, will it be a yes or a no?”) to a post-Dalston Ronettes vibe and a pulsing, demented electro breakdown. The brilliant ‘Porcelain Heart’ is quirky, bonkers pop, while ‘Sticks & Stones’ is a series of frank snapshots behind the scenes of life in a pop band (Spoiler alert: it’s not always laugh-a-minute). Most tellingly, the breezily confrontational ‘Take A Bite’ - “you push me to fight, everybody’s got a limit, so put ’em up” - feels like an object lesson in what it might sound like if, having been yelled at, heckled, told she’s ugly and crap for almost a decade, a 25-year-old was finally allowed to scream back.

The single is written and produced by Steve Mac (the man behind the girls’ previous hits ‘Higher’, ‘Ego’ & ‘Notorious’ plus The Wanted’s ‘Glad You Came’) and co-written by Autumn Rowe. A natural progression from their 2011 monster hit ‘All Fired Up’, 30 Days sees The Saturdays lush pop vocals matched to a storming electro-pop track and shows the girls at their very best.

Diana is releasing the song for fans as a thank you for their patience and encouragement. The song also gives an indication of the new direction of the album.
The first track, Music To Make Boys Cry, is free to fans who sign up to Diana's newsletter on her website www.dianavickersmusic.com.

While Martina's unique vocal will be familiar to anyone who loved the Martin Solveig collaboration – Hello, the pulsing beat and easy, energetic melody of Let It Go are distinctly Dragonette. Naturally positioning itself as a summer anthem with hands-aloft verses and a fist-pumping chorus – Let It Go is a club track that you can still sing along to on the radio.

Let It Go, which is written and produced by Dragonette, is the song pop fans have been waiting for since the band had a breakthrough with Hello. After two albums and touring around the world, Dragonette hit the big time with Hello – a #1 single across Europe, top ten in the UK, a million seller in the US and the most played song on Canadian radio.

Sparks is a soulful love song that features both Amanda and T-Ray singing over a mix of piano and electro.   The track showcases the band’s signature bright and breezy pop sonic while demonstrating their maturation as a group.

Making their mark on the UK charts, last track, the Caribbean-infused pop single Twilight rocketed straight to number one, hot on the heels of their successful debut single Lick Ya Down, which was a top 10 summer smash.

Written by dance-duo Nervo [Ke$ha, Kylie Minogue] and produced by Danish producer, Soulshock [Bruno Mars, Usher, JLS], Try With Me showcases Nicole’s powerful vocals, by stripping them bare in a slow, melodic beginning which builds to a powerful crescendo as the dance beat drops, mixing genres to create what is shaping up to be another smash hit single for Ms Scherzinger.

Nicole Scherzinger has become one of the most successful artists in the UK this year following her run of top 5 hit singles, including number one song Don’t Hold Your Breath, and her debut solo album Killer Love hit the top 10 earlier this year.  She has generated a huge following with over 131 million YouTube views, nearly 2 million Facebook fans and over 711,000 twitter followers.

Love Like Stars is a joyous, widescreen pop-rock song that captures that glorious moment when you can’t think of anyone else. The single, which is written by Ben Montague, Jez Ashurst and Kim Richie showcases Ben’s sweet, soulful vocals.

If the name Ben Montague sounds familiar, that would be because you heard his debut single ‘Haunted’ which became a major radio hit two years ago. At the time Ben didn’t have a record deal or an album to his name. Fast forward to 2012 and Ben, with a label behind him, is ready to launch his debut album ‘Tales Of Flying and Falling.’

The long-awaited second album ‘3D-Determination, Dedication and Desire’ is the perfect showcase for Starboy Nathan’s impressive singing and songwriting abilities. Working with internationally renowned songwriters and producers, such as 2011 Grammy Award Winners Angela Hunte and Janet “J’nay” Sewell-Ulepic and Hip Hop luminary Swizz Beatz, it promises to demonstrate just how much he has grown as an artist.

'Out Of Control' contains some of most exciting and intoxicating songs of their career while continuing to take pop music into places it’s never been before. From the moment they landed with 'Sound Of The Underground' through 'Biology' and 'Call The Shots' Girls Aloud have subverted the very structure of the pop song. With each single release they have made the genre more acceptable to a wider audience.

Their success is unique. Not only have they entered the Guinness Book of Records for the girl group with the most ever consecutive top ten singles, they have had the Arctic Monkeys cover one of their songs (‘Love Machine'). Not to mention the critical plaudits from the likes of NME and Franz Ferdinand. They are trailblazers who have consistently raised the bar and changed what it means to be a girlband in the 21st century. Experimenting with disparate genres has, most recently, lead to the likes of Coldplay's Chris Martin and Metronomy's Joseph Mount publicly stating they want to work with the girls.

'Out Of Control' comes hot on the heels of Girls Aloud’s third arena tour - the sold out 'Tangled Up' show and a critically acclaimed performance at the V Festival. Despite this constant stream of successes the band didn't feel any pressure working on 'Out Of Control'
"We were probably the most relaxed we’ve ever been but we still wanted to make this album the best we have ever done,” says Nadine.

Working again with the Xenomania team, the Girls have been constantly challenging themselves in the studio. As Kimberley says : "We want to impress the fans with what we do, so we've tried to up our game with this album and step outside the comfort zone."
Nadine adds: " Our aim from the beginning was to come up with songs that didn't sound like anything else out there."

It's with this maverick spirit that the fivesome came up with the album’s title. A spirited meeting with their record company led to someone commenting that the girls were 'out of control!'
"The title has an ironic slant," says Nicola "People think we're just out of control girls but actually we have loads of control over what we do."